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Chinese Art Master Pan Tianshou VCD

  • Chinese Art Master Pan Tianshou
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Chinese Art Master Pan Tianshou (Collection Edition)
--Xiling Celebrated Masters Series
Published by Zhejiang Culture and Art Audio-visual Publishing House
Medium: 1 VCD disc
Narration: Mandarin Chinese
ISRC: CNE149800570

Pan Tianshou (1897 - 1971)

Pan Tianshou, Chinese painter, art educator, and art theorist who was one of the most important traditional Chinese painters of the 20th century, following Wu Changshuo, Qi Baishi and Huang Binhong, promoted the development of Chinese painting.

Pan was born into a peasant family in Ninghai County, Zhejiang Province in 1807. His parents gave him the name Tianshou (meaning endowed by the heaven, later changed to Tianshou meaning live as long as the heaven). His styled name was Dayi, alias Ashou, but he often used Leipuotoufeng Shouzhe when he signed his later works. Pan's family lived in a direly poor situation since he was young, but he deeply loved calligraphy and painting. Through self-teaching, he learned the art of painting by imitating the works of Xu Wei, Zhu Da and Shi Tao. Later, he took democratic educators Li Shutong, Jing Hengyi, etc., as his teachers. In 1923, he and Mr. Zhu Wenyun established China's first department of Chinese paintings at the Shanghai School of Fine Arts. He later taught at the National School of Arts, the East China branch of the Central Academy of Fine Arts and Zhejiang Academy of Fine Arts. He was indisputably one of the principal founders in the teaching of modern Chinese painting. After the founding of the People's Republic of China, he served as the president of Zhejiang Academy of Fine Arts and vice-president of Zhejiang Association of Artists. He died in 1971.

Pan Tianshou spent the better part of his life in painting and teaching of painting. He is good at freehand brushwork. His paintings on flowers, birds, mountains and waters have the style of the ancient masters like Xu Wei, Zhu Song and Shi Tao, as well as features of the modern artist Wu Changsuo. He is skilled in 'creating suspense' and 'breaking suspense' in the layout of his paintings. Radiating from his brushes is the splendor of gold and stone, profound and lofty. With appropriate use of different paints and colors, his painting as a whole exhibits innate strength. He tapped the artistic method of Chinese painting which emphasized lines to the most. With his unique appreciation and understanding on arts, he blazed new trails in the structure and composition of the Chinese painting, making his works full of inspiration and modern senses. Pan Tianshou establishes his own painting style. His works were a kind of compendium of traditional Chinese paintings blending poems, calligraphy, painting and seal. He is also good at painting people, and is expert in finger painting. Besides, he is also a theorist on the painting history and the art of painting and comes up with witty remarks from time to time. In the 'Essays on Painting in Tingtian Pavilion', he wrote 'A mountain loses its spirit without cloud, loses its peculiarity without stones, loses its elegance without trees, and loses its life without water', and 'In painting, one should concentrate the mind, and hold the breath: with concentration of the mind, serenity is maintained; with the breath held up, preciseness is attained. One should be as serene as an old monk in meditation, and be as precise as a silk worm in spitting silk. The spirit and real fun of painting are from nature and beyond the brushes and paints'. Many of his remarks were also included in works like 'History of Chinese Fine Arts', 'On Seal-carvings'.

Besides introducing Mr. Pan Tianshou's artistic life and the painting theory that develops a school of his own, this documentary uses a large space and lots of rare historical shots to show elegance romantic charm that the master draws a picture in his own hand, with visual languages, reveals his composition and drawing techniques of representative works.

艺术大师潘天寿 (珍藏版)
—西泠名家系列
出版社:浙江文艺音像出版社,2001
介质:VCD
解说:国语普通话
ISRC:CNE140100700

潘天寿(1897-1971),早年名天授,字大颐,号阿寿、寿者、颐者,早年自署懒道人、心阿兰若主持,晚年自署东越颐者、颐翁、雷婆头峰寿者、朽木居士等。浙江宁海人。现代中国画大师,杰出的书法家、美术教育家。他是20世纪继吴昌硕、齐白石、黄宾虹之后,高扬中国传统艺术精神并将中国画艺术推向新高峰的当代艺术巨匠、著名国画大师、中国画教学的奠基人。幼年自学书画篆刻,1915至1920年于浙江省立第一师范学校读书,并得经子渊、李叔同指导。1923年至上海,先后任上海美术专科学校及新华艺术专科学校教授。1928年定居杭州,任西湖艺术院教授,翌年赴日本考察美术教育。抗战后,随校内迁。1944年至1947年任国立艺术专科学校校长。1949年后,历任中国美术家协会副主席、浙江省文联副主席、浙江美协主席、中央美术学院华东分院副院长、浙江美术学院院长,为第一、二、三届全国人大代表,中国文联委员。1958年被聘为苏联艺术科学院名誉院士。 1963年作为中国书法家代表团成员访问日本。“文革”中被迫害致死。

潘天寿平生积极从事艺术创作和艺术教育工作。精于写意花鸟及山水,远师徐渭、朱耷、石涛等人,近受吴昌硕影响。尤善画鹰、八哥、松树、梅竹、蔬果、山石、野花等题材。落笔大胆泼辣,又能细心收拾,作品的构图,清新苍秀,笔墨色彩纵横交错,气势磅礴,趣韵横生,具有鲜明的独特风格。他还长于表现山花、野草,笔墨挺秀多姿,艳丽生动。画面的虚实、疏密、主宾、黑白以及强烈,又和谐协调,加之色彩的清新浓郁,画面的灵气引人入胜。偶作人物,并长于指头画,兼工书法、诗词、篆刻等。书法从锺繇、颜真卿、史孝山入手,后学秦汉、魏晋碑文,参以卜文猎碣。

潘天寿擅长画巨幅大作,并能牢牢控制住整体气势。他作画极有魄力,沉静周密之中,又常能高瞻远瞩、出奇制胜。他的指墨画在继承的同时,一改“以指画来追求笔画”的效果,而追求指墨画生涩、老辣、以毛笔作画更有拙味的特点,以达到追求深沉的力量感。以至于他晚年的巨幅指墨画在展现其雄浑壮阔境界的同时,更令同代画家瞠目结舌,至今无人能望其项背。画作收编成辑有《潘天寿画集》、《潘天寿画选》、《潘天寿画辑》、《潘天寿书画集》等。著有《中国绘画史》、《中国书法史》、《听天阁画谈随笔》、《顾恺之》、《治印丛谈》、《听天阁诗存》、《中国画院考》、《中国书款之研究》等。

本片除介绍了潘天寿先生的艺术生平及独树一帜的绘画理论外,还用了大量的篇幅和极其珍贵的历史镜头,展现了大师亲笔作画的风采神韵。并用直观形象的影视语言,展示了大师部分代表作品的构图及绘画技巧。

pan tianshou's painting    pan tianshou's painting

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