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Fine Art Historian Wang Bomin VCD

  • Fine Art Historian Wang Bomin
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Product Description

Fine Art Historian Wang Bomin (Collection Edition)
--Xiling Celebrated Masters Series
Published by Zhejiang Culture and Art Audio-visual Publishing House, 2000
Medium: 1 VCD disc
Narration: Mandarin Chinese
ISRC: CNE140000610

Wang Bomin was born in Taizhou, Zhejiang Province, 1924. After graduation from Shanghai Fine Art School in 1947, he went to Beijing for advanced study. He was a graduate student of Xu Beihong, also a disciple of Chinese painting master Huang Binhong.

Wang is known for his research in the fields of poetry, calligraphy and paintings. Since the 1950s, the scholar has published many history books on fine art including "General History of Chinese Fine Art (Eight Volumes)", the largest of its kind in the country, History of Chinese Ethnic Minorities Art, History of Chinese Engraving Print Picture, etc. Many of his works have been translated into English, French, Japanese and Korean and have been published abroad. Now he is a tenured professor and doctoral tutor at the Chinese Academy of Fine Art.

Wang Bomin is also a respected painter and poet. He is good at painting landscapes, proficient at bamboo and stone, particularly in favor of drawing clouds and mountains in south of the Yangtzer River. He publications include Bomin' on Poems, Travel Notes of Landscapes, etc.

西冷名家系列美术史论家王伯敏 (珍藏版)
—西泠名家系列
出版社:浙江文艺音像出版社,2000
介质:VCD
解说:国语普通话
ISRC:CNE140000610

王伯敏,男,浙江台州人,1924年生,中国著名美术史论家、画家。 1947年毕业于上海美专。后赴北平艺术专科学校研究班深造,既是徐悲鸿的研究生,又是国画大师黄宾虹的弟子。现任中国美术学院教授,美术学博士生导师,敦煌研究院兼职研究员,杭州画院名誉院长,杭州市美术家协会名誉主席。

王伯敏是中国美术史界的优秀代表,也是中国美术史这门学科的杰出带头人。他花五十年时间,撰写美术界所迫切需要的六部美术专史,把我国美术史的研究推进了一步。他以独具的慧眼,极高的悟性,超前的创见,开拓性地编著了《中国绘画史》、《中国版画史》、《中国版画通史》、《中国美术通史》、《中国少数民族美术史》、《中国绘画通史》。其他专著有《中国民间美术》、《敦煌壁画山水研究》、《中国画构图》、《唐画诗中看》、《古肖形印臆释》、《水墨画纵横谈》、《黄宾虹画语录》,在国内外出版。还有二百多篇论文在国内外报刊发表,并出《王伯敏美术文选》。《中国版画史》系统地阐述了中国版画的发展,着重介绍明代版刻绘画的辉煌成就,为我国历史上出版最早的版画专史,被日本和英国翻译出版。五十万字的《中国绘画史》既介绍画家,品评绘画作品,又述说绘画理论的发展,是我国于建国后率先出版的画史专著,在我国相当长一段时期内,稳定了画史的编写体系,也是在本世纪下半叶具有较大学术价值的画学史著作。该书首获国家社会科学优秀成果奖。王伯敏主编的《中国美术通史》,全书二百五十万字,既勾勒了美术演变进展的脉络,又概括了美术发展的规律,堪称中华民族上下数千年美术艺术的缩影,标志着中国美术史研究的一个里程碑。此书荣获中国图书奖。在庆祝国庆五十周年之际,又获文化部首届文化艺术学科优秀成果奖。

王伯敏针对中国画的时空概念,创造性地提出:步步看、面面观、专一看、推远看、拉近看、取移看、合六远等“七观法,”既是对传统山水画的重要总结,也有助于新山水画的创新、提高。吸收古人对山水画水法、墨法的论述,他系统地提出一套《水法》理论,在绘画界产生很大反响。王伯敏善画山水,精于竹石,写江南云山,尤见其趣。 善松烟宿墨,擅长用水,儒雅飘逸,神韵天成,自成一格。作品经常在国内外展出,誉为“学者妙造”。 王伯敏善诗,有《柏闽论诗》、《山水纪游》等出版,颇得时人所重。

wang bomin's landscapes painting   

wang bomin's landscapes painting

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