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Peking Opera Master - Shang Xiaoyun's Classic Arias CD

  • shang xiaoyun arias cd
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cd00shan1
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Product Description

Collection of Beijing Opera Master - Shang Xiaoyun's Classic Arias CD
1 CD
Published by Shanghai Audio-Visual Company
ISRC: CNE079832500

Shang Xiaoyun (1899 - 1976), a Qing Yi role actor. Born in Nan-Gong of Hebei Province, He entered the "Triple Happiness Opera School" and was trained first to be a "Wu Sheng" and later "Qing Yi". He had a very good skill of acrobat and dance. His performing style was highly regarded and famed as Shang school of Beijing opera. His famous plays include "Mad after Lost Her Son", "Liang Hongyu" etc. Shang was also dedicated in training new players. He founded the "Rong Chun Opera School".
White Snake(Bai She Zhuan): In this popular fairy tale, White Snake--fairy Bai Suzhen--who has practiced Buddhism for thousands of years and can metamorphose into a beautiful woman, wants to taste the love of a human being. She falls in love with Xu Xian at the Broken Bridge on West Lake and wants to marry him. Fa Hai, a monk at Gold Mountain Temple, prevents the fairy snake from marrying him by using his magic power to subdue her and put her under the Lei Feng Pagoda. Many years later, Xiao Qing, her little sister who is actually a green snake, comes to rescue her.

京剧大师尚小云经典唱段
表演者:尚小云
出版者:上海音像出版社
介质:1碟装CD
ISRC:CN-E07-98-325-00/A.J8

中国戏曲经典
绝版珍藏

尚小云(1900-1976)原名德泉,字绮霞。清光绪25年(乙亥年)腊月初七(暨1900年1月7日)生于河北南宫县。尚可喜后裔,属汉人旗籍。幼年曾随李春福学老生,是为“把手徒弟”。1909年进入“三乐社”科班(后改名“正乐社”),艺名“三锡”,先习武生,又学花脸,其后因师辈们见其扮相秀丽、英俊,逐让他改学旦行,师从青衣名家孙怡云,便改艺名为“小云”。1912年在广和楼公演,尚小云的戏很受欢迎,1914年被评为“第一童伶”。世人称尚小云、白牡丹(荀慧生)、芙蓉草(赵桐珊)为“正乐三杰”。

 16岁出科先后受教于戴韵芳、陈德霖、路三宝、王瑶卿等名师,艺事突飞猛进。尚小云早年习武生,对杨小楼的艺术十分仰慕,后来他把“杨派”武生的精湛表演,吸收融化,用在自己的旦角戏里,使其表演刚劲、挺拔,于旦角的妩媚多姿中又见阳刚之美。特别适于表演巾帼英雄人物。至此尚小云成为同辈旦角中,以演女中豪侠为特色的佼佼者。1918年尚小云自组“重庆社”,不断排演新剧目,以巾帼英雄人物为居多。如《卓文君》、《林四娘》、《秦良玉》、《墨黛》、《双阳公主》、《摩登伽女》、《相思寨》、《青城十九侠》、《虎乳飞仙传》、《红绡》、《峨嵋剑》等等,都是他首创演出,又成为他的独有剧目。

 1927年,由北京《顺天时报》发起选举名伶,尚小云以新编剧《摩登伽女》被选为“四大名旦”。

 1937年创办“荣春社”。不惜家产办学,培养了“荣”、“春”、“长”、“喜”两科学生,以及三个儿子。尚小云治艺严谨,无论对己对人要求十分严格,但在生活中对人十分热情,慷慨仗义,倾囊相赠。“荣春社”共培养学生200余名,遍布全国,在京剧演出和京剧教育岗位上发挥重大作用。

 新中国成立后,建立“尚小云京剧团”,任团长兼主演。1959年移居西安,任陕西省艺术学校艺术总指导。1962年,拍摄艺术片《尚小云舞台艺术》,录制《失子惊疯》和《昭君出塞》两部影片。1964年受聘于陕西省京剧院,担任该院首任院长(当时陕京是全国五大京剧团体之一)。

目录

《乾坤福寿镜》(1962年录音)
《三娘教子》(1934年录音)
《玉堂春》(1927年录音)
《雪峰塔》(1934年录音)
《双阳公主》(1960年录音)
《汉明妃》(1957、1962年录音)
《红绡》(1929年录音)
《御碑亭》(1929年录音)

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