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Regular Script - Copy and Practice Liu Gongquan's Imperial Guards Stele VCD

  • Copy and Practice Liu Gongquan's Imperial Guards Stele
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Regular Script - Copy and Practice Liu Gongquan's Imperial Guards Stele
- Coping and Practicing Calligraphy of Past Dynasties Series
Instructor: Qin Yonglong
Language: Mandarin Chinese
Published by Beijing Zhonglutongfang Audio-Visual Publishing House, 2005
Media: VCD
ISBN: 788010691X

The regular script or standard script, or in Chinese kaishu, also commonly known as standard regular, is the newest of the Chinese calligraphy styles (appearing by the Cao Wei dynasty ca. 200 CE and maturing stylistically around the 7th century), hence most common in modern writings and publications (after the non-calligraphic printing Song Ti). It is also occasionally known as true script (zhenshu) and standard script (zhengshu), formal script. It is simpler in structure and square in shape. To be specific, it has more standardized horizontal and vertical. The integral feature of regular script is neatness and orderliness, for which it is widely used and favored today. Regular script became popular in the period of Six Dynasties, and entered prosperity and boom in Tang Dynasty. Yang Zhenqing, Liu Gongquan, and Ouyang Xun were famous calligraphers of Tang Dynasty. Together with Zhao Mengfu in Yuan Dynasty, they were honored together "Four Masters of Calligraphy" in Chinese history. Their works include Yanqin Rite Tablet and Record of Damagu Divine Altar of Yan’s style featuring sturdiness; Mysterious Pagoda and Stele of Wonderful Strategies of Liu’s style featuring strength and power; Danba Tablet, Miaoyan Temple Tablet, and Scripture on the Pagoda of Huadu Temple of Meng’s style featuring elegance and slenderness.

The inscription of Imperial Guards Stele, recording an emperor's inspection of a royal guards unit, is the signature calligraphy of Liu Gongquan (778 - 865, a famous calligrapher who stood with Yan Zhenqing as one of the two great masters of late Tang calligraphy). The position of style is steady and well-proportioned in this epigraph, it reserved the traditional frame: left of the style is compact and right of the style is incompact. The tip of a writing brush vigor of style in writing used both square and round, and it's Flexibility in the use of this Techniques. The strokes in Imperial Guards Stele is imperturbable, dovish and magnificent. It typically represent the artistic trait of regular script named Liu style. The stone stele was set up in the Imperial Palace where few people could access to copy it. It was lost long ago and only one rubbing survived.

In this TV educational program, the instructor Pro. Qin Yonglong is a famous calligrapher in China. He has taught and researched Chinese Calligraphy since 1973 in Beijing Normal University.

商品名称:历代书法临习之楷书—柳公权《神策军碑》(1VCD)
主讲人:秦永龙
出版社:北京中录同方音像出版社,2005
ISBN:788010691X

《神策军碑》是柳公权楷书的代表作之一。此碑结体布局平稳匀整,保留了左紧右舒的传统结构。运笔方圆兼施,运用自如。笔画敦厚,沉着稳健,气势磅礴。典型地表现了柳体楷书浑厚中见开阔的艺术特点。“神策军碑”原石立在封建王朝的禁内,一般人难以进去摹拓,因此拓本传世极少。

主讲人秦永龙,字长云,1973年至今一直在北京师范大学从事古代汉语、汉语文字学和中国书法学的教学和研究。书法师承启功先生,作品广为国内外公私收藏。著有《西周金文选注》、《汉字书法通解•行书》、《书法常识》、《书法精品》、《楷书指要》。现为北京师范大学艺术与传媒学院教授、博士生导师、美术与书法系主任。中国书法家协会教育委员、北京书法家协会艺术顾问、中国文字学会会员。

主要内容:
1、碑帖介绍
2、用笔特点
3、结体特点
4、临习要注意的问题
5、创作示范

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