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Regular Script - Copy and Practice Zhao Ziang's Danba Tablet VCD

  • Copy and Practice Zhao Ziang's Danba Tablet
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vc00kaidan
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Product Description

Regular Script: Copy and Practice Zhao Ziang's Danba Tablet
- Coping and Practicing Calligraphy of Past Dynasties Series
Instructor: Ni Wendong
Language: Mandarin Chinese
Published by Beijing Zhonglutongfang Audio-Visual Publishing House, 2005
Media: VCD
ISBN: 7880106944

The regular script or standard script, or in Chinese kaishu, also commonly known as standard regular, is the newest of the Chinese calligraphy styles (appearing by the Cao Wei dynasty ca. 200 CE and maturing stylistically around the 7th century), hence most common in modern writings and publications (after the non-calligraphic printing Song Ti). It is also occasionally known as true script (zhenshu) and standard script (zhengshu), formal script. It is simpler in structure and square in shape. To be specific, it has more standardized horizontal and vertical. The integral feature of regular script is neatness and orderliness, for which it is widely used and favored today. Regular script became popular in the period of Six Dynasties, and entered prosperity and boom in Tang Dynasty. Yang Zhenqing, Liu Gongquan, and Ouyang Xun were famous calligraphers of Tang Dynasty. Together with Zhao Mengfu in Yuan Dynasty, they were honored together "Four Masters of Calligraphy" in Chinese history. Their works include Yanqin Rite Tablet and Record of Damagu Divine Altar of Yan’s style featuring sturdiness; Mysterious Pagoda and Stele of Wonderful Strategies of Liu’s style featuring strength and power; Danba Tablet, Miaoyan Temple Tablet, and Scripture on the Pagoda of Huadu Temple of Meng’s style featuring elegance and slenderness.

Zhao Mengfu (1254-1322) was a calligrapher of the Yuan Dynasty, a native of Zhejiang. He was a descendent of the Song imperial family, but served the conquering Yuan. At the age of 63, Zhao was ordered by the emperor to write the Danba Stone Tablet, in regular script. The height of Danba Stone Tablet is 33.6 cm, the width is 166 cm, which is now stored in the Palace Museum in Beijing. The brushwork of the stone tablet is typical of the Zhao style. Its strokes are slender, mellow and beautiful, in rigid standard with vim and vigor. His penmanship is graceful but vigorous with bony strokes at the start and end of each movement.

Instructor Ni Wendong, Calligraphic Professor of Arts and Media College, Beijing Normal University.

商品名称:历代书法临习之楷书—赵子昂《胆巴碑》(1VCD)
主讲人:倪文东
出版社:北京中录同方音像出版社,2005
ISBN:7880106944

赵孟頫楷书帝师胆巴碑卷,纵33.6厘米,横166厘米,纸本。书于延佑三年(1316年)。卷后有清姚元之、杨砚、李鸿裔、潘祖荫、王懿荣等人跋。钤有清许乃普等人收藏。《东图玄览》《清河秘箧表》《南阳名画表》《式古堂书画汇考》等书著录。现藏故宫博物院。 此碑是赵孟頫奉元仁宗敕命撰写的,时年六十三岁,为赵氏晚年碑书的代表作。

明王世贞认为赵孟頫晚年书法“规模李北海”,此卷笔法秀媚,苍劲浑厚,独具风格,于规整庄严处见潇洒天真的韵致,可谓笔笔提起,字字挺拔,充分体现了赵体书法的风韵和神采。虽取法李邕的《岳麓寺碑》,但又较之舒展放松,去其险佻之势,化为端庄肃穆,雄遒苍健之姿。运笔和间架均出于二王,凝重古朴,“老劲可喜”。

赵书虽秉承传统,却不为陈法所囿,往往能根据不同的需要变换书体,但不论怎样变,又都能运用自如,得心应手,因此,他的书法既有深邃的传统基础又有鲜明的个性特征,卓然不群。

主讲人倪文东,中国书法协会学术委员,北京师范大学艺术与传媒学院书法专业教授。主讲中国书法史、篆书技法、草书技法、篆刻学、书法与装潢设计、电脑美术等课程。主编有《二十一世纪中国书画家印款辞典》、《历代书法名品赏评》、《中国篆刻大字典》、《书法与装潢设计》等。发表论文20余篇。论文《高等书法教育的教学定位及人才培养》获“全国第六届书学研讨会”二等奖。书法教学成果两次获得省部级优秀教学成果二等奖。书法篆刻作品多次参加省及全国展览,并多次在日本、新加坡及韩国展出。

主要内容:
1、赵孟頫与《胆巴碑》
2、《胆巴碑》用笔分析
3、《胆巴碑》结构分析
4、《胆巴碑》风格分析
5、创作示范

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